Please also note that marking criterion 2. above refers to your ability to use the creative industries concepts and terminology you have encountered during the course of this unit – this includes the extent to which you are able to connect the immediate topic of your marquees melbourne to wider creative industries issues.

As noted in the marquees melbourne proposals section above, this means that you will not be able to do well if you merely focus on a specific creative industries sector / company / organisation / artist without placing them within a wider creative industries context.

Your final marquees melbourne must be submitted in hardcopy. If you would like to receive it back with your tutor’s comments after the end of semester, please make sure you attach a sufficiently large self-addressed, stamped envelope to the final marquees melbourne as you hand it in.

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By submitting the project proposal you make it easier for your marquees melbourne to help you gain and maintain focus in your research, and to assist you in dealing with any problems you might come across during your work on this project.

In outlining the key issues your project will cover, you also make clear to us on what basis we should mark your final project: a successful final project will be one which covers all of the four key issues you have identified here in your project proposal! For each one of the four key issues, good coverage of that issue in the final project will be worth 15% of your final mark for the project. Additionally, your final project must clearly demonstrate that you’ve achieved the specific and generic objectives of the unit, which are listed in the unit outline.

The clear statement of the key issues to be covered in your research will also help you maintain focus in your research: these issues should be the ones you will need to deal with centrally in your final project, so you will need to research them most thoroughly.

By submitting your project proposal, you commit to working diligently towards completing your research. In return, as marquees melbournes we commit to offering you sufficient opportunities to consult us and address any problems that may arise during the course of your study.

Your work on this proposal gives you as the student a clear understanding of the resources, support, and other inputs which will be necessary to achieve your project objectives, and offers the marquees melbourne and unit coordinator a clear statement of what objectives you intend to meet in completing your final project.

Business Type: Sole Trader

Sole trader, as the name suggests, is where an individual is the sole owner of a business. The business is often quite small in terms of size (as measured, for example, by sales generated, or number of staff employed) however the number of these businesses is very large indeed. Examples of these businesses can be found in most industrial sectors but particularly in most service sectors. Hence services such as electrical repair, picture framing, photography, diving instruction, retail shops, and hotels have a large proportion of sole trade business.

The topic you choose must be relevant to the content covered in this marquees melbourne (in particular in the first section, weeks 1-5). This means that you cannot simply study a specific industry sector within the creative industries, or a specific company / organisation / artist within that sector; rather, you must discuss them with reference to wider creative industries issues.

So, rather than focussing on a particular company, for example, describe this company’s placement within a wider creative industries sector; rather than focussing on a particular creative industries sector, describe that sector’s tendency to cluster around specific local or global hotspots; rather than describing the work of a particular creative organisation in itself, examine how the nature of this work responds to specific problems facing the creative industries, etc.

The lectures in the first part of the marquees melbourne will provide useful pointers here: key questions you might like to examine are how creative industry sectors respond to the emergence of the new knowledge economy, to questions of globalisation and local placement, to interdisciplinary, hybrid, or convergence-driven creative industries development opportmarquees melbourneies, or to the increasing aestheticisation of everyday life and customisation of media and cultural content.